Calendar


YOLA National Festival
Jul
18
to Jul 30

YOLA National Festival

An intensive summer orchestra program with a focus on rigorous artistic development, the YOLA National Festival is for young musicians from El Sistema-inspired programs and programs similarly invested in youth and community development through music throughout the country.

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Kennedy Center: Pathways to Performance
Jul
2
to Jul 3

Kennedy Center: Pathways to Performance

Join us for a continuation of the work that began during our 2022 Reframing the Narrative celebration recognizing Black contributions to classical ballet. This two-performance engagement features a newly commissioned ballet and excerpts of recently premiered works by Black choreographers.

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Juilliard Pre-College Orchestra
May
4

Juilliard Pre-College Orchestra

Pre-College offers a comprehensive conservatory-style music program for students 8–18 years old who exhibit the talent, potential and ambition to pursue serious music study at the college level. Students work with world-class faculty—many of whom are on the Juilliard college faculty—to develop technical proficiency while fostering creativity and intellectual curiosity. Full- and partial-tuition scholarships are available for eligible admitted students.

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Sphinx Medal of Excellence Ceremony
Mar
26
to Mar 28

Sphinx Medal of Excellence Ceremony

The Sphinx Medal of Excellence Ceremony is an annual event that recognizes Black and Latinx classical musicians for their artistic excellence, work ethic, determination, and commitment to their communities and leadership. The Sphinx Organization also awards each recipient with a $50,000 career grant.

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Louisville Orchestra: Making Music
Mar
11
to Mar 17

Louisville Orchestra: Making Music

The Louisville Orchestra has always been an orchestra of innovation, creativity and excellence. Today it is an organization that is changing the very idea of what a 21st Century orchestra can be and do. Welcome to the Louisville Orchestra. We hope you’ll take the time to discover why the LO is well on its way of achieving the goal of Music Director, Teddy Abrams, “to become known as the most interesting orchestra on the planet.”

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Prelude String Orchestra, Sinfonia and Chamber Strings
Mar
9

Prelude String Orchestra, Sinfonia and Chamber Strings

Annette Brower is the founder of Prelude Strings. After doing a bit of informal research, she determined the community needed a string orchestra for students as young as eight years old. With financial support from the Tustin Area Council for Fine Arts, Prelude String Orchestra started in 1994 as a 10 week class through the Tustin parks and recreation department. Annette chose Helen Weed as the conductor because of her passion for music education and enthusiastic pledge of commitment. Helen chose the name of the orchestra, “Prelude,” to indicate the first orchestral experience for many children. Prelude Strings is a 501 c 3 non profit corporation.

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Louisiana Philharmonic
Mar
7

Louisiana Philharmonic

The Louisiana Philharmonic Orchestra (LPO) is dedicated to maintaining live orchestral music and a full-scale symphonic orchestra as an integral part of the cultural and educational life of the New Orleans area, the entire state of Louisiana, and the Gulf South region. Formed in 1991, the LPO is the oldest full-time musician-governed and collaboratively-operated orchestra in the United States.

The LPO offers a full 36-week season with more than 120 performances, including classics, light classics, pops, education, family, park and community engagement concerts in New Orleans and across multi-parish areas. In addition, The LPO collaborates with and provides orchestral support for other cultural and performing arts organizations, including New Orleans Opera Association, New Orleans Vocal Arts Chorale, New Orleans Ballet Association and Delta Festival Ballet.

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International Contemporary Ensemble
Mar
2

International Contemporary Ensemble

The International Contemporary Ensemble returns to NYU Skirball with a program of works by composer/pianist Anthony Davis and composer/vocalist Leila Adu-Gilmore. The evening will feature Adu-Gilmore’s Mahakala Oratorio (2020-23, world premiere of the live version) and Alyssum (2014); and Davis’s Wayang No. II (Shadowdance) (1982), Clonetics (1983), and a special solo performance by Davis. Drawing on an ultra-cosmopolitan range of musical and cultural sources, Leila Adu-Gilmore and Anthony Davis exemplify some of the many ways in which Afrodiasporic new music becomes revealed as an intercultural, multigenerational space of innovation that offers new subjects, histories, and identities.

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University of the Pacific’s Conservatory of Music: Residency
Feb
5
to Feb 10

University of the Pacific’s Conservatory of Music: Residency

The Conservatory of Music strives to be the finest student-centered music school possible, one that provides students with an increasingly diverse range of cultural perspectives. Through scholarship, education, performance, and in a range of therapeutic and music industry settings, Pacific’s Conservatory creates new music, considers and reconsiders significant histories, and presents works of and about music through live events and emerging media.

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Oakland Symphony
Jan
23
to Jan 26

Oakland Symphony

The Oakland Symphony, Youth Orchestra and Chorus bring together orchestral music, choral music and youth education to strengthen the Oakland/East Bay community by providing quality live performances, education for lifetime enrichment and the perpetuation of the performing arts.

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Chattanooga Symphony and Opera
Jan
18

Chattanooga Symphony and Opera

The Chattanooga Symphony & Opera was the first combined professional resident symhony and opera company in the nation, merging in 1985. World-class Soviet director Vakhtang Jordania was recruited to become the conductor and artistic director. He was succeeded in 1992 by Robert Bernhardt. Bernhardt left the CSO directorship in April 2011. His successor is Kayoko Dan, who made her debut with the CSO in September 2011. Bernhardt has remained at the CSO as music director emeritus and continues to reside in Chattanooga. ("Chattanooga Symphony and Opera", 2024)

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Minnesota Orchestra
Nov
28
to Nov 30

Minnesota Orchestra

Led by Music Director Thomas Søndergård, the Minnesota Orchestra is a Grammy Award-winning orchestra known for acclaimed performances around the world. We’re on a mission to enrich, inspire and serve our community as an enduring symphony orchestra.

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Victoria Symphony
Nov
5
to Nov 6

Victoria Symphony

With a mission “to inspire, educate, and captivate our community through the transformative power of music,” the Victoria Symphony (VS) is one of British Columbia’s largest performing arts organizations. At the core of VS operations is our commitment to our orchestra: 44 outstanding professional musicians who share their expertise not only on stage with our audiences, but in the community as teachers at the University of Victoria, the Victoria Conservatory of Music, and in private studios. Over 95% of our expenses go to paying local employees, artists, and businesses. The success of VS is tightly connected to our ongoing and valued collaborations with other major artistic partners in the local arts community. Our mutually beneficial relationships with groups like Pacific Opera Victoria, Ballet Victoria, Dance Victoria, Vox Humana Chamber Choir, The Victoria Children’s Choir, the Victoria Philharmonic Choir, the Victoria Choral Society, and the Greater Victoria Youth Orchestra put us at the very centre of Victoria’s cultural community.

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Cleveland Institute of Music
Oct
27
to Oct 29

Cleveland Institute of Music

The Cleveland Institute of Music empowers the world’s most talented classical music students to fulfill their dreams and potential. Its graduates command the most celebrated and revered stages in the world as soloists, leading roles, chamber musicians and ensemble members; compose meaningful, award-winning new repertoire; produce Grammy Award-winning recordings; and are highly sought-after teaching artists, administrators and thought leaders.

A testament to the excellence of a CIM education, more than half of the members of The Cleveland Orchestra are connected to CIM as members of the faculty, alumni or both, and CIM alumni occupy hundreds of chairs in major orchestras worldwide. The school’s increasingly diverse collegiate and pre-college student bodies benefit from access to world-renowned visiting artists, intensive study with CIM’s stellar faculty and the rich curriculum offered by CIM’s partner, Case Western Reserve University. A leader among its peers, CIM is the largest presenter of free performances, master classes and community concerts in the Midwest, hosting hundreds of events each year on campus and at locations regionwide, including Severance Music Center.

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St. Louis Symphony Orchestra
Oct
21
to Oct 22

St. Louis Symphony Orchestra

Kalena Bovell serves as the Cover Conductor.

The St. Louis Symphony Orchestra is an American symphony orchestra based in St. Louis, Missouri. Founded in 1880 by Joseph Otten as the St. Louis Choral Society, the St. Louis Symphony Orchestra (SLSO) is the second-oldest professional symphony orchestra in the United States, preceded only by the New York Philharmonic. Its principal concert venue is Powell Hall, located in midtown St. Louis.

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Musikkollegium Winterthur
Oct
2
to Jun 6

Musikkollegium Winterthur

"Deserving of all honor ... for a girl." This is how Alma Schindler recorded in her diary in 1899 the praise her teacher gave her latest songs. Even the good-natured praise had a sexist sting, and her career as a composer ended with her promise to her fiancé Gustav Mahler that she would only live for him and his music. The sparkling "5 Songs" and their range from intoxication to irony at least give an idea of ​​her talent. Fortunately, the British composer Anna Clyne was born a hundred years later. "Within her arms" is an intimate mourning piece; a string elegy like Samuel Barber's Adagio or Richard Strauss's Metamorphoses. The piece develops gently towards a more hopeful conclusion. Tchaikovsky also takes us on a musical journey in his 5th Symphony. An even greater journey that encompasses the clarinet darkness of the beginning and the yearning horn solo of the Andante; that knows heartache and waltz happiness. The fact that Tchaikovsky's work ends in frenetic optimism is perhaps just another form of melancholy... 

An astonishing concert program that fits beautifully with the season’s theme of “Being” and at the same time reflects the artistic stature of the young American conductor Kalena Bovell. (Kalena Bovell dirigiert Tschaikowsky. Konzerte & Events - Detailseite - Musikkollegium Winterthur. (2023). https://www.musikkollegium.ch/programm-tickets/programm/konzerte-events-detailseite?event=6386. (translated from German))

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National Symphony Orchestra presents Judy Collins & Madeleine Peyroux
Sep
20

National Symphony Orchestra presents Judy Collins & Madeleine Peyroux

Folk and jazz icons share the stage for an unforgettable double bill of songs and stories. Join Grammy Award winner Judy Collins, “the wild ageless angel of pop” (The New York Times), as she performs her legendary 1967 album Wildflowers in its entirety. Collins is joined by Madeleine Peyroux, who has become one of today’s most acclaimed jazz singers since she began her illustrious career busking on the busy streets of Paris.

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Chicago Philharmonic
Sep
9

Chicago Philharmonic

This September, Chicago Philharmonic celebrates the start of its ninth season as a Harris Theater Resident Company at the Harris Theater’s 20th Anniversary concert!

In a FREE concert at Millennium Park, experience an exclusive sneak peek of Chicago Philharmonic’s highly anticipated 2024–2025 Season and 35th anniversary year with performances featuring dazzling guest artists. Inaugural Artist in Residence and 2023 Sphinx Competition winner Njioma Grevious performs the first movement of Samuel Coleridge-Taylor’s “irresistibly tuneful and big-hearted” (Gramophone) Violin Concerto in G Minor. Chicago Philharmonic then collaborates with local, established singer, songwriter, and producer Ryan O’Neal (stage name: Sleeping at Last) for exciting new orchestral arrangements of the star’s heartfelt hit singles, including Saturn, Sun, and Turning Page.

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Cincinnati Symphony
Jul
9

Cincinnati Symphony

The Cincinnati Symphony Orchestra, which also performs as the Cincinnati Pops, celebrated its 125th anniversary in the 2019-20 season. One of America’s finest and most versatile ensembles, the internationally acclaimed CSO attracts the best musicians, artists and conductors from around the world to Cincinnati. With new commissions and groundbreaking initiatives like LUMENOCITY, the MusicNOW Festival collaboration, and CSO Proof, the Orchestra is committed to being a place of experimentation.

Mason: Toast of the Town Overture

Still: Danzas de Panama

Bermudez: Colombia Tierra Querida

Frank: Three Latin American Dances

Contreras: Mariachitlan

Turina: Danzas Fantasticas

Tchaikovsky: Symphony no. 4 in F minor, Finale

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Colorado Music Festival
Jul
2

Colorado Music Festival

The Colorado Music Festival presents a summer concert season at Chautauqua Auditorium in Boulder, Colorado.

Showcasing over 42 principal players, the Festival Orchestra is comprised of exceptional national and international musicians. Under the baton of Music Director Peter Oundjian, this all-star orchestra treks to the base of the iconic Flatirons every summer to create what is truly a world-class classical music experience.

Bizet: Carmen Suite no. 1

Eric Whitacre: Goodnight Moon

Coleridge-Taylor: Danse Nègre

Prokofiev: Peter and the Wolf

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Volcano Theater Company presents Treemonisha
Jun
6
to Jun 17

Volcano Theater Company presents Treemonisha

In Scott Joplin’s Treemonisha, many of the musical worlds Black people occupy collide to make something thrilling and distinct. The sound is hybrid. The instruments are European and African. The audience is encouraged to embrace the music in any way they see fit! Cheer, talk back, applaud – it’s all good.

This is an opera for everyone.

As author Naomi André puts it: “Opera is an art form that has potential for being a site of critical inquiry, political activism and social change… Opera has become a space where Black people are writing themselves into history…. Unlike the audiences for the very first opera performances in seventeenth century northern Italy… the audiences I envision… are vast…”

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